This project examines a shift in how images are produced in the age of AI.
It begins not with artificial intelligence itself, but with resistance to it. Photographed posters from the CalArts campus record a charged social atmosphere—opposition, anxiety, and satire—where AI appears not as image, but as tension.
Across the series, the work moves from documentation to hybrid construction, to fully generated images, then to language as image, and finally back into itself. A sequence of figures develops from unstable forms into seamless simulations, while a later work re-photographs one image after it was physically intervened upon during exhibition, allowing public reaction to re-enter the project as material.
The project grows from an ongoing question: where are the boundaries of photography, what is photography now, and whether images generated without a physical event still belong to it.
From 0 to 1 does not defend or condemn this condition. It remains within it, observing what changes, what persists, and what quietly returns.